The music of Scott Joplin, the “King of Ragtime”, achieved a newfound popularity in the mid-1970s, nearly sixty years after the composer’s death. Its beguiling synthesis of African-American syncopations and European musical forms is eloquently captured by Itzhak Perlman and André Previn.
The music of Scott Joplin, the “King of Ragtime”, achieved a newfound popularity in the mid-1970s, nearly sixty years after the composer’s death. Its beguiling synthesis of African-American syncopations and European musical forms is eloquently captured by Itzhak Perlman and André Previn.