With Vienna Stories, Belgian harpist Anneleen Lenaerts pays tribute to the city that has been her musical home since 2010, when she became principal harpist of the Wiener Philharmoniker. Not only is it one of the world’s greatest symphony orchestras, with a tradition going back to 1842, but its members also play in the orchestra pit of one of the world’s greatest opera houses, the Wiener Staatsoper or Vienna State Opera.
This dual mission is reflected in Vienna Stories, which comprises arrangements for solo harp, and for harp and string quintet, of music conceived for both the concert hall and the opera house. In the first category are pieces by Smetana, Liszt and Johann Strauss; in the second are excerpts from operas by Dvořák (Rusalka), Wagner (Die Meistersinger von Nürnberg), Gounod (Faust), Puccini (La bohème), Tchaikovsky (Yevgeny Onegin) and Richard Strauss (the waltzes from an opera that has played a role in defining perceptions of Vienna, Der Rosenkavalier).
Anneleen Lenaerts explains her thinking behind Vienna Stories: “As a reflection and celebration of the journey so far, I have selected pieces from both the operatic and symphonic worlds that are special to me and tell a story about my life in the Wiener Philharmoniker. Whether it’s a memory of the Préludes by Liszt with Riccardo Muti, Smetana’s Má vlast with Daniel Barenboim, Yevgeny Onegin with Andris Nelsons, Der Rosenkavalier with Franz Welser-Möst, or of a New Year’s concert and so many other memorable performances with Mariss Jansons, each occasion has left a special impression on me. This huge source of musical inspiration has shaped me into the harpist I am today.
“It has become a tradition for influential harpists to write fantasies on famous symphonic or operatic themes, expanding the harp repertoire with great music that puts our instrument in the spotlight with all its technical possibilities. Even though a beautiful selection of pieces already exists, one of the most important opera composers of all time was still missing for me: Puccini. He not only wrote fantastic operas but also knew better than anybody how to use the harp and give it a prominent role in his unique lyric language. For this recording, I was keen to write a fantasy on his most famous opera, La bohème.”
In what she describes as “the icing on the cake”, Anneleen Lenaerts is joined by five string players from the Wiener Philharmoniker, including concertmaster Rainer Honeck, in arrangements of waltzes from Der Rosenkavalier and the most famous waltz of all, Johann Strauss’s An der schönen blauen Donau, otherwise known as The Blue Danube. These are new arrangements made especially for Vienna Stories by Wouter Lenaerts – Anneleen’s brother.